Edith Diehl's "Bookbinding: Background and Technique"

Rebound in full burgundy goatskin with blind tooling to the boards, spine, and caps, red goatskin label stamped in gold.  Handmade marbled endpapers.

Edith Diehl's "Bookbinding: Background and Technique"

Rebound in full burgundy goatskin with blind tooling to the boards, spine, and caps, red goatskin label stamped in gold.  Handmade marbled endpapers.

Edith Diehl's "Bookbinding: Background and Technique"

Rebound in full burgundy goatskin with blind tooling to the boards, spine, and caps, red goatskin label stamped in gold.  Handmade marbled endpapers.

Edith Diehl's "Bookbinding: Background and Technique"

Rebound in full burgundy goatskin with blind tooling to the boards, spine, and caps, red goatskin label stamped in gold.  Handmade marbled endpapers.

A History of English Craft Bookbinding Technique

Rebound in half brown goatskin with handmade marbled paper over boards, goatskin endbands, goatskin label stamped in gold, boards and spine blind tooled.  Slipcase covered in tan deerskin and marbled paper.

A History of English Craft Bookbinding Technique

Rebound in half brown goatskin with handmade marbled paper over boards, goatskin endbands, goatskin label stamped in gold, boards and spine blind tooled.  Slipcase covered in tan deerskin and marbled paper.

A History of English Craft Bookbinding Technique

Rebound in half brown goatskin with handmade marbled paper over boards, goatskin endbands, goatskin label stamped in gold, boards and spine blind tooled.  Slipcase covered in tan deerskin and marbled paper.

A History of English Craft Bookbinding Technique

Rebound in half brown goatskin with handmade marbled paper over boards, goatskin endbands, goatskin label stamped in gold, boards and spine blind tooled.  Slipcase covered in tan deerskin and marbled paper.

Unpartheyische Before

Unpartheyische After

Rebound in sympathetic style with alum tawed leather spine and handmade pastepaper boards.

Letters to Sophia

Blank book constructed of handmade papers and alum tawed leather.

Letters to Sophia

Blank book constructed of handmade papers and alum tawed leather.

Printing and the Mind of Man

Bound in dark green goatskin with green paste paper over boards.

Hunter's Papermaking

Dover edition rebound in handmade paper over boards.

Galeni Librorum Septima Classis 1597 Before 1

Texblock lacks original binding other than remnants of blue wrappers.  Contents show extensive tearing and losses due to mold damage.

Galeni Librorum Septima Classis 1597 Before 2

Texblock lacks original binding other than remnants of blue wrappers.  Contents show extensive tearing and losses due to mold damage.

Galeni Librorum Septima Classis 1597 During 1

Textblock was disbound, washed and aqueously deacidified, and resewn onto cords. Tears and losses were mended and filled with sekishu paper.

Galeni Librorum Septima Classis 1597 During 2

New cords are laced into the boards.

Galeni Librorum Septima Classis 1597 During 3

Detailed view of tooling to spine.

Galeni Librorum Septima Classis 1597 After 1

Volume was bound in black goatskin with red goatskin label and blind tooling to spine and boards.

Galeni Librorum Septima Classis 1597 After 2

Volume was bound in black goatskin with red goatskin label and blind tooling to spine and boards.

Galeni Librorum Septima Classis 1597 After 3

Volume was bound in black goatskin with red goatskin label and blind tooling to spine and boards.